Chelsea Morgan Hoffman, tutor on John Yorke’s Story for Screen online course, takes questions on 5-act structure, how to perfect a professional outline and how your themes might change dramatically throughout the writing process.
In our exclusive forums students share their work, receive feedback, and can ask the tutors questions. A Storytelling for Screen (Drama) participant was having trouble perfecting the treatment for her script, and, as always, tutor Chelsea Morgan Hoffmann responded with some truly elucidating advice. Read on for a sneak peek of what students on the courses can expect.
You’ve perfected your first spec script and are ready to send it out to production companies. Congratulations on a huge achievement. So what’s the process? How do you get your work read and your talent noticed? Here, we explore the steps an aspiring writer can take towards success.
Feel like you’ve written the next Citizen Kane, but no one seems to care? In the second of our Q&A sessions, students on John Yorke’s Storytelling for Screen course chat with tutor, director and editor David Roden, learning inside information on how to get their work noticed, the pitfalls of writing something that seems that little bit too familiar, and why you should stay on your script editor’s good side.
How many times have you begun a script with dreams of grandeur, only for it to peter out, and end up half written with no direction? In the first of two Q&A sessions, students taking John Yorke’s Storytelling for Screen online course talk to tutor, director and editor David Roden about the importance of script structure, the necessity of passion, and Jackie Collins’ secret to success.