Published for the first time outside the UK, this is the Preface to the US edition of Into the Woods [cite publisher, Lucy and link to US book on their site] in which John Yorke looks at how much nonsense has been written about screenwriting – and how you can tell the real rules of narrative from the fake ones.
John Yorke regularly drops into the practical online course developed to accompany his bestselling book, Into The Woods. This week he met up with screenwriting students in our chatroom to answer questions on writing theme, characters and intertwining storylines.
You’ve perfected your first spec script and are ready to send it out to production companies. Congratulations on a huge achievement. So what’s the process? How do you get your work read and your talent noticed? Here, we explore the steps an aspiring writer can take towards success.
Story isn’t just essential for writing novels and screenplays – we hear, read and tell countless stories every day. In the first of our Story in Action series, we speak to musician Frank Turner about how he incorporates story into both his music and live performances.
Nick Parker has made a career telling stories, but it’s taken until now to work out how they really work. In advance of the launch of his Story for Business course, devised with John Yorke, Nick recounts the story of his relationship with story.