Chelsea Morgan Hoffman, tutor on John Yorke’s Story for Screen online course, takes questions on 5-act structure, how to perfect a professional outline and how your themes might change dramatically throughout the writing process.
In our exclusive forums students share their work, receive feedback, and can ask the tutors questions. A Storytelling for Screen (Drama) participant was having trouble perfecting the treatment for her script, and, as always, tutor Chelsea Morgan Hoffmann responded with some truly elucidating advice. Read on for a sneak peek of what students on the courses can expect.
You’ve perfected your first spec script and are ready to send it out to production companies. Congratulations on a huge achievement. So what’s the process? How do you get your work read and your talent noticed? Here, we explore the steps an aspiring writer can take towards success.
The production of story – be it film, theatre or television – is a team effort, and as such it’s not just the writer who needs to understand how stories are told. Former Storytelling for Screen student Thomas Hescott explains how the lessons he learnt from Into the Woods helped him perfect his art, and secure a directorial role on EastEnders.
Story isn’t just essential for writing novels and screenplays – we hear, read and tell countless stories every day. In the first of our Story in Action series, we speak to musician Frank Turner about how he incorporates story into both his music and live performances.