In this exclusive interview, JYS’s Katherine Press speaks to Julia McKenzie, Head of Radio Comedy for BBC Studios, about her role at the BBC, how to submit your work to production companies and how to react to trends in writing.
There’s more to think about when when writing for games that simply what words to use, Caroline Marchal summarises some dos and don’ts for those looking to work in the industry.
Videogame stories need to be complelling if a player is to stay engaged. Story for Games course Leader Caroline Marchal outlines the five most important things to keep in mind about your audience as you write your game’s story.
Ashley Pharoah, award-winning writer and creator of shows including Life on Mars, Ashes to Ashes and Wild at Heart, dropped by our classroom to take questions from our John Yorke Story for Screenwriting students. Here they discuss pitching, his development as a writer and the often long wait from script to screen.
Video games are nothing new (well, compared to the theatre they might be), but rather than brainless shoot-em-ups, gamers are demanding more engaging, emotionally affecting storylines alongside gameplay enjoyment. For this reason, television and film scriptwriters are increasingly looking at games as a new and improved medium to tell their stories. Here, scriptwriter James Henry explores how the Story for Video Games online course can help traditional writers make the leap to this burgeoning medium.