Becoming an assistant in the production accounting office is a great entry-level pathway into the film & TV industry – Lucy Drake answers some commonly asked questions about the role.
Robbie Handy reflects on our Story for Communications training and how it helped him see ‘pretty patterns everywhere’.
Here’s a few simple ways to bring creativity and storytelling into your business pitches to boost impact.
Celebrated writer and director Prano Bailey-Bond explains the process of developing CENSOR, her award-winning debut feature film.
We ask INTERIOR/NIGHT’s Caroline Marchal and Brad Kane about the writing process of their multi-protagonist interactive drama.
We hear about and see a lot of pitching tools for drama. But what do you need for a great factual pitch? Emma Millions explains.
If you find yourself being asked by a producer, commissioner, broadcaster or financier to deliver a super slick pitch deck, don’t panic.
Your character has a ‘want’, but do they have a ‘need’? BAFTA-winning John Yorke explains how you establish a character’s internal desire.