Writers already have the ONE KEY SKILL they need to create great pitch decks
Many writers are intimidated by the prospect of pitching. As if writing scripts isn’t hard enough, it feels like we now need to be graphic designers, pro-editors and public speakers to get our story in front of the right people. But we should remember that we are creative people, says Story for Pitch Decks course director Emma Millions.
Does your central character have an internal desire that drives your story?
Writers should always define their central character’s ‘want’ and ‘need’ – but the latter can often be missed. So how do you establish a character’s need / internal desire? BAFTA-winning producer John Yorke explains.
Lessons from a John Yorke screenwriting course, by filmmaker Jamie Di Spirito
How does John Yorke’s advanced screenwriting course transform the way you see story? Jamie Di Spirito, writer and director of award-winning short film Thrive (2019) shares his experiences.
How a John Yorke course helped Amy Jarrold’s growing career in factual TV
Amy Jarrold made the leap to TV yet felt she lacked a solid understanding of how successful factual stories are crafted. During lockdown she embarked on John Yorke’s Story for Documentary and Factual online course. Here, she details her experiences and its lasting impact on her work.
Nick Dixon on what game writers need to know when pitching
Every game begins with a treatment that’s a few pages long – so how do you distil a whole game into a couple of thousand words? Here, game designer Nick Dixon explains how to write a proper video game treatment and the importance of effectively combining narrative and gameplay.
Game designer Nick Dixon explores how to enter the video game industry
Becoming a video game writer is on plenty of people’s to do list, but how do you actually enter into the industry? Here, game designer Nick Dixon explains how he started out, and what advice he’d give to hopeful writers looking to start crafting video game narratives.