Celebrated writer and director Prano Bailey-Bond stopped by the JYS classroom to chat about the process of developing CENSOR, her award-winning debut feature film.
How do you approach writing an expansive, multi-protagonist interactive drama like As Dusk Falls? We speak to INTERIOR/NIGHT’s creative director Caroline Marchal and lead writer Brad Kane about the process.
We hear about and see a lot of pitching tools for drama. Glossy pitch decks. Loglines. Comparable titles. Shiny, sexy mood boards and artwork. But what do you need for a great factual pitch? Story for Pitch Decks course director Emma Millions explains.
Many writers are intimidated by the prospect of pitching. As if writing scripts isn’t hard enough, it feels like we now need to be graphic designers, pro-editors and public speakers to get our story in front of the right people. But we should remember that we are creative people, says Story for Pitch Decks course director Emma Millions.
Writers should always define their central character’s ‘want’ and ‘need’ – but the latter can often be missed. So how do you establish a character’s need / internal desire? BAFTA-winning producer John Yorke explains.
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