Writing the script is just the beginning – getting it seen is another skill entirely. Emma Millions shares three essential ingredients for a great pitch, and why you should put yourself at the heart of it.
How can story structure enhance your creative freedom as a novelist? Helen Corner-Bryant explains.
TV showrunner Jeff Melvoin reflects on his two best industry teachers and what they taught him about running a successful show.
Here’s a few simple ways to bring creativity and storytelling into your business pitches to boost impact.
Celebrated writer and director Prano Bailey-Bond explains the process of developing CENSOR, her award-winning debut feature film.
We ask INTERIOR/NIGHT’s Caroline Marchal and Brad Kane about the writing process of their multi-protagonist interactive drama.
Script editors are an integral part of developing a writer’s initial idea into a truly compelling TV show or film. We speak with Jessica Jones about the role.
Killing Eve screenwriter Rob Williams tells us how he started working in TV drama, how to handle editor’s notes and the world of High-End TV drama.
Multi-award-winning international playwright Simon Stephens shares his thoughts on drama, creativity and the musical structure of scripts.
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