How do you write a game like AS DUSK FALLS?
We ask INTERIOR/NIGHT’s Caroline Marchal and Brad Kane about the writing process of their multi-protagonist interactive drama.
How to pitch your documentary
We hear about and see a lot of pitching tools for drama. But what do you need for a great factual pitch? Emma Millions explains.
It’s easier than you think to create great pitch decks
If you find yourself being asked by a producer, commissioner, broadcaster or financier to deliver a super slick pitch deck, don’t panic.
Does your character have an internal desire that drives your story?
Your character has a ‘want’, but do they have a ‘need’? BAFTA-winning John Yorke explains how you establish a character’s internal desire.
Lessons from a John Yorke screenwriting course
How did a John Yorke Story screenwriting course transform the way actor, writer and director Jamie Di Spirito sees story?
How a JYS course helped my career in factual TV
Amy Jarrold details her experiences on John Yorke’s Story for Documentary online training course, and its lasting impact on her work in TV.
How the JYS Learning Model works
We detail the exact model of our tried and tested pedagogy and why it’s so effective.
What game writers should know when pitching
Every game begins with a treatment – so how do you distil a whole game into a couple of thousand words? Game designer Nick Dixon explains.
How aspiring video game writers can start out in the industry
Becoming a video game writer is on plenty of people’s to do list, but how do you actually enter into the industry? Game designer Nick Dixon explains how he started out.
