Making your story treatment work

Making your story treatment work

In our exclusive forums students share their work, receive feedback, and can ask the tutors questions. A Storytelling for Screen (Drama) participant was having trouble perfecting the treatment for her script, and, as always, tutor Chelsea Morgan Hoffmann responded with some truly elucidating advice. Read on for a sneak peek of what students on the courses can expect.

How a John Yorke Story course helped my career

How a John Yorke Story course helped my career

The production of story – be it film, theatre or television – is a team effort, and as such it’s not just the writer who needs to understand how stories are told. Former Storytelling for Screen student Thomas Hescott explains how the lessons he learnt from Into the Woods helped him perfect his art, and secure a directorial role on EastEnders.

Screenwriting Q&A: becoming a professional

Screenwriting Q&A: becoming a professional

Treatments. Agents. ‘The Industry’. These can be daunting words for a budding screenwriter, but things you need to get to grips with to progress. John Yorke Story tutors chat with students about getting their treatments just right, how to introduce themselves to agents, and the benefits of knowing a friend of a friend of a friend.

What does straight-to-Netflix programming mean for screenwriting?

What does straight-to-Netflix programming mean for screenwriting?

Online streaming services have moved the goalposts of TV and film, and with Netflix announcing that it will double its Originals commissions in 2016, how will this affect screenwriters? Netflix is constantly available, offering an almost endless choice, and is accessible in an instant on our phones and tablets. We can pause it, put it down and come back later – so what is it that keeps us watching a particular series? Charlotte Sabin explores.